This month’s block for The Thread House Retreat Bee is a variation of a quarter log cabin. These blocks, on point, I think look very special. I’m not entirely sure exactly how I will use them in the final quilt but I’m confident my  friend Pinterest will guide me. If you have any ideas do please let me know.

As to the logs I’m really very relaxed about the width so this is perfect for scraps. And if you are like me I always seem to have oblong strips for scraps.

I’m looking for blues and greens, any shade, any value, print or solids. But ideally not too floral, I’m going for a masculine look.

To make these blocks, and I’d like two please,  start with any size coloured square up to 3” max. Then start to build round your logs on two sides,  which as I say can be any width.  I’ve started both these with a white set of logs but you can have the white logs anywhere as you build your log cabin, just not on the outer edge or the centre square

There are only three rules to keep to please 1) include two sets of white logs as you can see in my examples, preferably 1-2” width, 2) ensure the white logs aren’t the outer logs and finally 3) keep going and trim at 9.5” square.

I’m not the most accurate sewist and after bitter experience with very wobbly logs I tend to square off after each round as below. I find using a square ruler with a 45 degree line helpful.

And that’s really it.  I hope you enjoy making them. As always if you have any queries please contact me.

 

We have had another wonderful response to this year’s IG recruitment campaign for more members for the Siblings Together Bees. Enough as it happens, not just to top up the existing Bees, but to create a new Bee 7. This is all very exciting and welcome to being founder members, so thank you for signing up.

I’m going to be nice and gentle for the first Bee 7 block. I’ve chosen a free pattern by Andy Knowlton who blogs at A Bright Corner. It’s called Charming Lucy which reminds me of Lucy Brennon @Charmaboutyou who hosts Saturday’s Craft Along on IG. If you don’t already, do join in the fun on Saturday evening, if you are not out on the tiles of course!

As it is a new Bee I thought I’d just talk about perfection. This is a much overrated concept in my opinion. If the charity wanted perfect, uniformly quilted and sewn quilts then I guess any number of high street stores could have provided them. What they do love receiving are our beautiful handmade, imperfectly perfect, quilts.

Now I have shamelessly pinched that last phrase from the front cover of super talented fabric and pattern designer Karen Lewis’ new book Wasi Sabi.  A great book by the way. But it perfectly summarises the beauty of hand crafted items, all unique and special. If you are like me, you are reasonably accurate using a sewing machine,  but in my case far from technically perfect, so points get lost, seams get misaligned etc.  But  trust me no child/young person will notice or care. Nor will your mama.

The block is from a reasonably straight forward pattern and can be found here.  That takes you to the blog page and then you need to click through to get access to the actual pattern. The pattern gives you cutting instructions for an entire quilt, so to cut to the chase, you will need for the three blocks I’d like you to make, 12  x 5” squares with 24 x 2.5”  white squares which get snowballed onto each corner then joined to make a squarish circle!   I’d like the white squares to be a solid bright white but the squares  a range of blues and greens. They can be all blue blocks, all green, pale blocks, strong colour blocks or an absolute mix. Your call but the more variety the better . The wonderful variety of fabrics just makes for a magic quilt.

Now many of you I know, having had a sneak look at your IG accounts, are very experienced and could quite possibly make these in your sleep! But I assume when I write up blocks that members are at the other end of the learning curve  so am reasonably clear about ‘how to’.  Please skip this if you have snowballed more corners than you have thrown snowballs! But please ensure you trim the blocks to 9.5″ square before sending them to me.

Take your 5” square and place a 2 1/2” square on one corner. The pattern itself is also clear on this technique.

Either draw a line on the white square from corner to corner or press it so you can see a line. I actually put a bit of tape on the machine bed and sew along that but each to their own.

Now sew just to the right of your diagonal line, nearest the corner of the eventual finished block   as below .

Do the same to the opposite corner

Cut away the excess fabric taking care not to cut away your new white corner! Take time to admire my far from pristine ironing cover.

Iron back the new white corners and then trim to 5”. You now have one of the four you will need to sew a squarish circle as in the finished block.

The last job please, apart from posting on IG if you have a public account, is please trim blocks to 9.5″ square.

Many thanks and if you have any queries please come back to me.

The best blocks are those that look tricky but are in fact just clever cutting and putting back together. This is a block called Disappearing Hourglass 2 coined by the wonderful Jenny Doan of the Missouri Quilt Company fame.

I make no apology  for taking inspiration once again from Jenny. I doubt if I’m the only novice quilter who found her clear, well presented video tutorials as their first introduction to the world of quilting both educational and inspirational. Compared to many other quilters out there who do video demos, despite their extensive  knowledge, the pace and or delivery means half way through you begin to lose the will to live! But Jenny’s light touch and good pace means she is very watchable.

Anyway I came across a quilt on Pinterest and followed the link back to a video tutorial. For those who prefer to read instructions here are the block details.

Firstly to colours, non floral blues and greens please with a white bright solid background. I did think it would look good with a more varied background, grey, light blue etc. My teen advisers thought differently.

Anyway for the two blocks requested you will need 2 x white 10” squares and 2 x 10” squares of blue or green solid or prints.

Put the white and one coloured squares wrong sides together and sew round on all sides a scant 1/4”. Then cut corner to corner as below.

Now open them out and press and then  reassemble as below and stitch together. When sewn it should be 12.75” square

Now you need to cut this square to make nine equal squares. To do this measure from the vertical centre line 2 1/8th” and cut and then 2 1/8th” from the vertical centre line on the other side of the line and cut. Then do the same two measurements from the centre horizontal line and cut.  See pictures below

Now to twizzle the pieces to get the design.

Firstly take each corner and turn 180 degrees as below

Then turn the centre square by 90 degrees.  It should look like this

And then sew the pieces together.

Is it only me that tends to lose track as I take the pieces  off the mat to chain sew them together. Somehow I sew the wrong side – I certainly did that with these blocks! Thank heavens for camera phones when you can take a quick snap of the unsewn block so you can check it as you go along.

The finished block should be 11.75” square or close to that but the block has a fair bit of give in it so I can pull and tug if the size is slightly out. It won’t be the first time…

Any problems or queries please let me know.

 

Well quilting certainly hasn’t ruled this summer. I’m afraid over the last couple of months I’ve done precisely three bits of sewing.  One was a ripped seam on my 15 year old’s shirt, you can guess whether it  was the boy or girl twin. It was all the way up from bottom of the shirt to the arm hole, I really don’t know how this was done and in fact I don’t want to know either. It will doubtless involve some unacceptable behaviour at school. The other was making 4 luggage labels and now finally some proper sewing with this Two in One pouch from Aneela Hoey’s book Sewing Stitched Organisers.

The problem has  been that I’ve been preoccupied with a knotty issue at one of the organisations with which I’m involved.  As with problems of this type there have been hours of meetings, phone calls and discussions. Interesting but soooo time consuming.

Its also gardening season. I was once a very keen gardener but I’m afraid it’s more of a chore now albeit I’d admit to a satisfying sense of accomplishment when it’s done and the garden looks half decent. Although thanks to a very dry summer it has not looked even half decent.  My lawn became yellow and very dead looking, as with everyone else’s . Nothing, I know, compared to countries where months without rain is the norm and the constant drought causes huge problems.

I can see why people get out of the habit of making things and even when I have had some free time I haven’t, as I would usually do, race to get to the machine. But after an embarrassing encounter with security at Heathrow and a sew along, run by Stacey of #craftylilmouse and Zena #mycreativelypottylife of Aneela Hoey’s book to inspire me, I made  this pouch out of these fabrics.

So back to rules and my embarrassing experience of today’s strict air travel requirements.  I remember a time when I would routinely book air travel under the name of Jenny even though on my passport it was Jennifer. For years there was never a problem until  I remember it being an issue on my return from the US and only with much tutting was I allowed to travel. But today, for very good reasons everything has to be just so, for which I’m grateful, but still forget to comply.

So once again I’m stopped at security after my hand luggage have gone through the x ray machine and have been found wanting. The children look bored but resigned because this happens every. single. time.

 

I have to join a long queue to have everything taken out and get inspected with all sorts of handheld devices, wipes taken, tests on little machines and so on. It wouldn’t have been so bad but the offending items were these motley plastic bags, one of make up and the other a travelling first aid kit. I should have, of course, removed them.

There is no privacy in this upending of your bags’ contents. It didn’t help that behind me in the queue was this immaculate woman dressed to the nines with hand luggage to match.

 

But next time it will be different.  I will be proud to remove my two in one pouch, reveal the contents via the see through pockets and not be stopped. Time will tell. They may just stop me because I look dodgy!

And another rule? I really don’t know why it’s taken this long to work out that binding with a horizontal design like this (the top fabric) is the way of madness…..

I was so pleased when I’d finished this pouch. It looked attractive and functional but I rather glossed over the uneven binding.

I had a look at other versions of this pouch on IG and saw how beautiful the binding was on others.  I know envy is supposed to be the thief of joy but that aside I knew the bumpy misaligned binding would irritate me so it had to be redone. But with the bulk of the corners it’s nigh on impossible to keep to parallel linear lines matching  the pattern. It looked better after a lot more effort on my part but I won’t make that choice again. Yet something else to remember, but a useful lesson – solid, or reads as solid for my binding next time and certainly nothing grid like!

 

 

 

 

I had three very short hours to visit the Festival of Quilts (FoQ) due to remarkably poor planning on my part. Coming back from holiday on the Wednesday and then going off again on the Saturday was not clever.

Now the FoQ is the premier quilt show in the UK and runs over 4 days, with something like 800 plus quilts on display, special exhibition areas  as well as a vast number of retail opportunities. It’s huge. Most go for the full day and many go for two days. Me I had a very frenetic three hours to catch as much as I could. So my conundrum was what to squeeze in in such a short time and what to leave out.

Well for starters the principal attraction for me is the modern quilt section of the display. Last year I entered this quilt but this year time was just too short.

There were so many wonderful quilts. I particularly enjoyed seeing those of people I know or follow. Especially those quilts I have followed block by block on IG

Like this one by Nicky Eglington.

 

 

Another example is the quilt above called Circles by Heather Hasthorpe. Sorry the lighting is so bad Heather.

Heather’s co-conspirators in the Modern Quilt Group of the UK’s Quilters Guild, Helen Howes and Helen Butcher had these beautiful quilts entered as well.

There is no doubt being technically very competent as these quilters are  in addition to having a good design eye makes for a very impactful quilt. I particularly liked this one by Abigail Sheridan de Graff.  The addition of the apple green really makes it stand out. But the precision is amazing, that tiny block in the middle is 3/4” square. It deservedly got a highly commended .

 

These others caught my eye. Apologies for the photos the NEC maybe very convenient for me at least geographically but it has very poor indoor lighting .

Modern Love pieced by Jo Avery and quilted by I’m afraid I can’t remember…..

This one above is by Jo Westfoot who is one of the Siblings Together Bee members

 

And finally I always try to choose a quilt that I’d like to take home and for me it’s a toss up between this one below by Sophie Zaugg and…

 

…. this one by Sarah Hibbert and quilted by Christine Perrigo. This quilt is well travelled having  been to America for quilting then home to the UK to go back to the US  again for Quilt Con then home again.

This one above was the overall winner of the Modern Quilt section and is by Mary Palmer. It has very skilful quilting which must’ve taken forever given the size of the quilt and the number of words picked out by being the relief to very dense quilting.

I flitted through the Traditional category and  I particularly liked this quilt by Trudi Wood.  She writes a lot of patterns for magazines and has an eye for design that packs a punch without necessarily being too tricksy or time-consuming. That’s my type of quilting!

The key display this year was to celebrate the tercentenary of the 1718 coverlet. A coverlet is basically a quilt without the wadding in between. In fact just what I could have done with this hot summer.

This is the oldest surviving quilt in the world. It is in fact so delicate that it is shown only infrequently and has now been tucked away carefully in storage for a break. For goodness sake, it even had its own bodyguard! Not that I could really imagine any quilter desperate enough to peel back the plastic protective layer and wrap him or herself up in it.

If I’m honest I was rather underwhelmed, it looked threadbare and faded. Mind you after 300 years I guess most of us would!

I’m sure skill went into it and those same skills 300 years later went into producing some beautiful modern versions. Now these I did like, not least because I’d never have the stamina to complete one.  My favourite of these was this one. You can see from the one behind how different they were. This was by Deborah McGuire.

 

 

As to all the shops I’m afraid other than a quick flick through I only stopped at Beyond Measure and bought some bias binding and some buttons from Grace who is another Bee member. I’m very partisan! Hardly the haul of the century but I’m really trying hard to use what I’ve got… My mum would be pleased!

 

 

This is probably my key design mantra. Obviously if you can have form and function so much the better, but given the choice I would always choose function.

We once stayed in a very swish modern styled country cottage, all monochrome and stainless steel kitchen with a huge island unit made from an old butcher’s block.  Modern blended with tradition. All nice in theory but the only problem was that the butcher’s block was very misshapen through time and use and as an island unit it was completely useless because anything put on it would just slide off. Many an item of crockery got smashed as a result. This is the perfect example of form over function…. it looked good but was wholly impractical .

Getting ready for our holiday, I was reminded we had struggled last year to identify our very boring and standard black/navy suitcases. I’d made fabric luggage labels before but they were prone to being torn off. The hair bobbles weren’t securely sewn on.

I had the idea to use some orphan blocks I’d made using Kona colour of the year three years back called Highlight, an almost fluorescent yellow, presumably named after the highlighter pen of the same hue.

At the time I’d been playing with circles but with no real purpose in mind. So I was left with two blocks. It struck me that they would make great bright luggage labels. Of course in an ideal world they would have been made a few days prior to our departure but life has been very frenetic so the morning of our midday departure I was found sewing these up which is why functional they maybe but not exactly my finest work!!! I sincerely hoped I didn’t meet any keen quilters…

After a bit of resistance from one of the 15 yr olds they got attached and I think worked very well. The only failure was that two of our four checked suitcases went awol….  British Airways left them behind despite us checking in early and being a direct flight.

To be fair to be BA I was pinged a text as we landed in Johannesburg that two had been left behind and we had an interesting debate about which two would be the best to be left behind. I know in theory you should mix belongings amongst all cases to avoid this situation but that would never work with my lot.

As one of the teens was only dressed in t shirt and shorts we mutually agreed he had the greater need as it gets cold in South Africa at this time of year and then I said best if mine arrived as my 15 year old daughter could share my clothes. She looked appalled at the prospect! But BA agreed and those were the two that randomly arrived. The others were mightily relieved that their bags arrived not too long after.

This was written at the airport on the way out but I had insufficient Wi-fi anywhere to load pictures and send off. What a great holiday – I was for the first time outridden by my children, they just wanted fast and furious and whilst I joined them occasionally, I opted for more steady canters on this beautiful black Friesan called Albida. And looking at my riding clothes – definitely function over form! Look at those filthy boots!